Popes and their associates
Antonio Barberini (1607–1671) – one of the three “musketeers” of Urban VIII
Camillo Francesco Maria Pamphilj (1622–1666) – an arthritis-filled expiation of the papal nephew
Ferdinando I de’ Medici (1549–1609) – a lover of antiquity, who avoided papal disfavor
Francesco Barberini (1597–1679) – papal nepot, admirer of books and art, defender of Galileo
Francesco Maria del Monte (1549–1626) – a cardinal full of passion for alchemy, music and painting
Cardinal Bessarion (1403?–1473) – the one who wanted to save Constantinople
Cardinal Flavio Chigi (1631–1693) – a true dandy and a Roman trendsetter
Cardinal Innocenzo Ciocchi del Monte (1532–1577) – the pope’s favorite with criminal inclinations
Cardinal Paolo Camillo Sfondrati (1560–1618) – chasing sainthood
Charles Borromeo (1538–1584) – an extraordinary nepot, critic and saint of the Church
Ludovico Ludovisi (1595–1632) – lover of Antiquity and an extremely bright papal nepot
Maria Clementina Sobieska (1701–1735) between reality and a dream
Olimpia Maidalchini (1591–1657) – a very entrepreneurial papal sister-in-law
Pope Alexander I (? – 116?) – a holy shepherd of the holy water
Pope Alexander VI (1431–1503) – an ambitious strategist with a great heart for women
Pope Alexander VII (1599–1667) – a great constructor with a lead coffin in his bedroom
Pope Alexander VIII (1610–1691), Pietro Vito Ottoboni – a profligate enthusiast of old books
Pope Boniface VIII (1235?–1303), Benedetto Caetani – pope from the eighth circle of hell
Pope Celestine I (?–432) – philosopher striving for the divinity of the mother of Jesus
Pope Damasus I (approx. 305–384) – the one who changed the face of the Roman Church forever
Pope Felix III (Felix II) (?–492) – a saintly, uncompromising and strict pope
Pope Formosus (?816–896) – meaning, how to posthumously become a martyr
Pope Gelasius I (?–496) – meaning Christ’s first Vicar on Earth
Pope Gregory I the Great (approx. 540–604) – a monk by conviction, who changed the face of the Church for centuries
Pope Gregory XIII (1502–1585) – a tireless counter-reformer and an efficient reformer of the calendar
Pope Gregory XIV (1535–1591) – pious, modest, and lacking in will
Pope Gregory XV (1554–1623) – a sickly and phlegmatic protector of the Jesuits
Pope Hilarius (?–468) – a generous donor and a defender of orthodoxy
Pope Hippolytus (approx. 170–235) – an overzealous saintly rigorist
Pope Honorius I (?–638), a fallible pontifex maximus, in addition to being a heretic
Pope Honorius III (1150–1227) – a significant Church strategist and an uncompromising ruler
Pope Innocent I (? – 417) – a charismatic leader of the Church in times of chaos and uncertainty
Pope Innocent III (1160–1216) – the first Vicar of Christ on Earth
Pope Innocent VIII (1432–1492) – sickly, yet resourceful protector of his own children
Pope Innocent XI (1611–1689) – a strict reformer, moralist and subduer of art
Pope Innocent XII (1615–1700) – an exemplary shepherd and a protector of castrates
Pope John XII (?937–964) – meaning the one who was mortally wounded by the devil in the bed of a married woman
Pope Julius II (1443–1513) – a valiant ruler, courageous politician and a great protector of art
Pope Julius III (1487–1555) – a dream about the power of ...a family
Pope Callixtus III (1378–1458) – a disliked aesthetic from the Pyrenean Peninsula
Pope Clement IX (1600–1669) – a librettist and humanist devoted to God
Pope Clement VII (1478–1534) – a powerless politician and a firm protector of artists
Pope Clement VIII (1536–1605) – an enemy of nudity, a pious and kind despot
Pope Clement X (1590–1676) – a humble pope with an ambitious nepot
Pope Leo I the Great (400?–461) – defender of Rome and the man behind the power of the Church
Pope Leo X (1475–1521) – a generous patron of art and an enthusiast of parties and feasts
Pope Nicholas V (1397–1455) – the one, who made art into a foundation of faith
Pope Paschal I (?–824) – a collector of relics and a self-admirer
Pope Paul II (1417–1471) – an enthusiast of carnival parties
Pope Paul III (1468–1549) – an uncompromising patron of artists and his own family
Pope Paul V (1552–1621) – a generous funder and a foresighted city manager
Pope Pelagius II (?–590) – a protector of the needy and of Gregory the Great
Pope Pius II (1405–1464) – a complete humanist on St. Peter’s throne
Pope Pius XII (1876–1958) – a silent pontifex maximus
Pope Sergius III (approx. 870–911) – meaning „ the slave of every vice”
Pope Stephen VI (? – 897) – a story of the battle between the pope and a cadaver
Pope Sixtus III (390–440) – a great constructor of Christian Rome
Pope Sixtus IV (1414–1484) – a man of Renaissance and the creator of a new Rome
Pope Sixtus V (1521–1590) – the bane of bandits and womanizers
Pope Sylvester (? -335) – a marginal figure, yet a saint
Pope Symmachus (? – 514) – a controversial but unrelenting shepherd
Pope Simplicius (? – 483) – a bishop of Rome on the border of two eras
Pope Theodore I (?–649) – a pope who brought the dead to Rome
Pope Urban VIII (1568–1644) – pontifex maximus of the Baroque art
Platina (Bartolomeo Sacchi) (1421–1481) – humanist, rebel, courtier
Scipione Caffarelli Borghese (1577–1633) – cardinal and papal nepot with truly earthly passions
Piazza Augusto Imperatore – in the service of historical policy
The ruler of Fascist Italy, Benito Mussolini looked at himself as the heir of Roman emperors, but only one was his favorite. This was Octavius Augustus, who was remembered in history as an example of an excellent leader who ensured his subjects peace and prosperity. And thus the grand exhibition, planned for 1938 was devoted to this ruler as a commemoration of his birthday. Many guests were invited (including Hitler, who was also a proponent of Octavius), while the opening of a square (a new Roman forum), surrounded by new, monumental buildings served as an added attraction. At the center of t...
See moreGiovanni Lanfranco’s Venus Playing the Harp – a tribute to music or perhaps to love?
Who is the semi-nude woman on the canvas? Is it the allegory of music, or perhaps Venus – the goddess of love, with accompanying, reading the score, amoretti? The scarlet and blue fabrics made of satin covering the woman, and hanging behind her back, seduce the viewer with the soft, wavy, and shiny material. Among these is the woman’s beautiful body, with an enormous harp between her legs. The woman is singing, as her mouth is open, and looks at us in a stubborn manner. Intuitively we feel that this work hides some mystery, an anecdote, or maybe just an intriguing ambiguity. And we...
See moreSaint Eustochium (368–419) – a virgin through and through
The history of the Roman Catholic Church is filled with imaginary virgins of legendary provenances, such as Agnes and Cecilia who are particularly venerated in Rome. Probably nobody (apart from a few early-Christian Church historians) has ever heard of Saint Eustochium. It would be worth pondering why the first in Rome, declared virgin and historically documented ascetic remains completely unknown.
See more Zgodnie z art. 13 ust. 1 i ust. 2 rozporządzenia Parlamentu Europejskiego i Rady (UE) 2016/679 z 27 kwietnia 2016 r. w sprawie ochrony osób fizycznych w związku z przetwarzaniem danych osobowych i w sprawie swobodnego przepływu takich danych oraz uchylenia dyrektywy 95/46/WE (RODO), informujemy, że Administratorem Pani/Pana danych osobowych jest firma: Econ-sk GmbH, Billbrookdeich 103, 22113 Hamburg, Niemcy
Przetwarzanie Pani/Pana danych osobowych będzie się odbywać na podstawie art. 6 RODO i w celu marketingowym Administrator powołuje się na prawnie uzasadniony interes, którym jest zbieranie danych statystycznych i analizowanie ruchu na stronie internetowej. Podanie danych osobowych na stronie internetowej http://roma-nonpertutti.com/ jest dobrowolne.