Must-see paintings and sculptures
Apollo Belvedere – the greatest work of art from among all the works of antiquity
Benrnini’s Apollo and Daphne – a rock animated by love
Raphael’s Woman with a Unicorn - an image of a virgin marked by virtue
Bernini’s David – a sculpture testifying to the power of faith and humility
Caravaggio’s David with the Head of Goliath – a victor filled with sorrow
Bernini’s The Ecstasy of St. Teresa – an anthem on the subject of bodily union with God
Gaul Killing Himself and his Wife – meaning, praise of an honorable suicidal death
Laocoön Group – the dramatic story of one arm and its lack
Pietro da Cortona’s The Story of Aeneas – meaning where the pope searched for his roots
Caravaggio’s Judith and Holofernes – a refined mixture of violence and desire
Raphael’s Fornarina – a mysterious love interest or perhaps…
Antoniazzo Romano’s Legend of the True Cross – miraculousness told in a Renaissance way
Domenichino’s The Hunt of Diana – a painting about spying and its unfortunate results
Jacopo Sansovino’s Madonna del Parto – between a saint and a maid
Madonna delle mani – an indecent work, damaged and found anew
Caravaggio’s Madonna of Loreto - the sanctity of dirty, coarse feet
Andrea Sansovino’s Madonna and Child with St. Anne – a work praised by poets
Giovanni Lanfranco’s Apparition of the Virgin to St. Lawrence – a thematic painting yet not bereft of artistry
Caravaggio’s Madonna and Child with St. Anne – a work despite and against itself
Caravaggio’s The Martyrdom of St. Matthew – death among onlookers and terrified passersby
Caravaggio’s The Crucifixion of St. Peter – a painting on the banality of evil
Michelangelo’s Moses – the remains of a tragic work
Mosaics in the Church of Santa Pudenziana – how the Good Shepherd became a lawgiver
Melozzo da Forlì’s Musical angels – Christ among songs, music and dance
Caravaggio’s Conversion of St. Paul – meaning how Saul became Paul
Pasquino – snide, mean and still today irreplaceable
Antonio Canova’s Pauline Borghese as the Venus Victrix – remember me like this for ages
Michelangelo’s Pietà – an astonishing story of silent suffering
Guercino’s The Funeral of St. Petronilla – a difficult topic, masterfully solved
Funerary monument of Maria Clementina Sobieska – the joyful smile of a miserable queen
The funerary monument of Pope Alexander VII, meaning the triumph of virtue over death
Antonio Canova’s funerary monument of Pope Clement XIII – death appeased with beauty
Funerary Monument of Pope Leo XI – a modest and politically convincing work
Velázquez’s Portrait of Pope Innocent X – a real, perceptive and effective portrait
Portrait of Pope Clement IX – a subtle image of a delicate pontifex
Gian Lorenzo Bernini’s The Rape of Proserpina, meaning sanctioned rape
Pietro da Cortona’s Rape of the Sabine Women – all is well that ends well
Equestrian Statue of Marcus Aurelius – a symbol of imperial harmony and peace
Ludovica Albertoni – a masterpiece in the shadow of a moral scandal
Bernini’s Statue of St. Bibiana – meaning how to present a virgin in the moment of bliss
Caravaggio’s The Calling of St. Matthew – how a sinner becomes the chosen of God
Michelangelo’s Vault of the Sistine Chapel – a masterpiece born out of doubt and suffering
Melozzo da Forlì’s Sixtus IV Appointing Platina as Prefect of the Vatican Library – pope as an earthly ruler and a patron of science
Raphael’s’ The School of Athens– a fancy riddle or an alternative history
Raphael’s Triumph of Galatea – beauty and the beast in a Renaissance version
Pietro da Cortona’s Triumph of Divine Providence – family apotheosis, meaning painting to the point of breathlessness
Guido Reni’s Crucifixion of St. Peter – meaning a reason for a duel
Dying Gaul – a funeral rhapsody in memory of the Gauls
Caravaggio’s The Entombment of Christ – a perfect work
Raphael’s The Deposition – a painting of suffering, the fragility of life and an unforgettable loss
Antoniazzo Romano’s Annunciation – meaning, how the Virgin Mary can miss the most important moment of her life
Caravaggio’s The Crucifixion of St. Peter – a painting on the banality of evil
Peter – a humble fisherman from Bethsaida will soon be raised along with the cross to which he has been nailed. He looks on as if in disbelief upon one of the nails, with which his hand has been affixed to the cross. In a short while, the martyrdom of the most important of apostles shall begin, the one whom Christ called the Rock ("upon this Rock, I shall build my Church"). We can see this very rock in a scaled-down form – it is the stone in the foreground. However, it is not this stone that draws our attention, but rather the lonely, helpless man, who is far removed from the image...
See moreChurch of Santa Maria in Cappella – the Middle Ages restored anew
When I saw the façade of this tiny church for the first time, with its picturesque bell tower (campanile), my intuition told me that in front of my very eyes there is a pearl of subtle beauty and unprecedented atmosphere from centuries long gone. At that time it was completely ruined, while its walls – supported by wooden beams – seemed as if they would fall apart at any moment. The damp, dark interior promised little. As years passed I returned numerous times to this lovely spot on the Trastevere, hoping that one day it would be restored to its proper glory. And so it has c...
See moreFunerary monument of Maria Clementina Sobieska – the joyful smile of a miserable queen
It is one of three funerary monuments, which are located in the Vatican Basilica, which are dedicated to women. That is why, we must pose ourselves the question, what did Maria Clementina Sobieska do to deserve such recognition and find herself among such figures, as Matilda of Canossa or the Queen of Sweden Christina.
See moreZgodnie z art. 13 ust. 1 i ust. 2 rozporządzenia Parlamentu Europejskiego i Rady (UE) 2016/679 z 27 kwietnia 2016 r. w sprawie ochrony osób fizycznych w związku z przetwarzaniem danych osobowych i w sprawie swobodnego przepływu takich danych oraz uchylenia dyrektywy 95/46/WE (RODO), informujemy
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