Must-see paintings and sculptures
Apollo Belvedere – the greatest work of art from among all the works of antiquity
Benrnini’s Apollo and Daphne – a rock animated by love
Raphael’s Woman with a Unicorn - an image of a virgin marked by virtue
Bernini’s David – a sculpture testifying to the power of faith and humility
Caravaggio’s David with the Head of Goliath – a victor filled with sorrow
Bernini’s The Ecstasy of St. Teresa – an anthem on the subject of bodily union with God
Gaul Killing Himself and his Wife – meaning, praise of an honorable suicidal death
Laocoön Group – the dramatic story of one arm and its lack
Pietro da Cortona’s The Story of Aeneas – meaning where the pope searched for his roots
Bronzino’s John the Baptist – between cold eroticism and refined devotion
Caravaggio’s Judith and Holofernes – a refined mixture of violence and desire
Raphael’s Fornarina – a mysterious love interest or perhaps…
Antoniazzo Romano’s Legend of the True Cross – miraculousness told in a Renaissance way
Domenichino’s The Hunt of Diana – a painting about spying and its unfortunate results
Jacopo Sansovino’s Madonna del Parto – between a saint and a maid
Madonna delle mani – an indecent work, damaged and found anew
Caravaggio’s Madonna of Loreto - the sanctity of dirty, coarse feet
Andrea Sansovino’s Madonna and Child with St. Anne – a work praised by poets
Giovanni Lanfranco’s Apparition of the Virgin to St. Lawrence – a thematic painting yet not bereft of artistry
Caravaggio’s Madonna and Child with St. Anne – a work despite and against itself
Caravaggio’s The Martyrdom of St. Matthew – death among onlookers and terrified passersby
Caravaggio’s The Crucifixion of St. Peter – a painting on the banality of evil
Michelangelo’s Moses – the remains of a tragic work
Mosaics in the Church of Santa Pudenziana – how the Good Shepherd became a lawgiver
Melozzo da Forlì’s Musical angels – Christ among songs, music and dance
Caravaggio’s Conversion of St. Paul – meaning how Saul became Paul
Pasquino – snide, mean and still today irreplaceable
Antonio Canova’s Pauline Borghese as the Venus Victrix – remember me like this for ages
Michelangelo’s Pietà – an astonishing story of silent suffering
Guercino’s The Funeral of St. Petronilla – a difficult topic, masterfully solved
Funerary monument of Maria Clementina Sobieska – the joyful smile of a miserable queen
The funerary monument of Pope Alexander VII, meaning the triumph of virtue over death
Antonio Canova’s funerary monument of Pope Clement XIII – death appeased with beauty
Antonio Canova’s funerary monument of Pope Clement XIV – a quiet grief of final parting
Funerary Monument of Pope Leo XI – a modest and politically convincing work
Velázquez’s Portrait of Pope Innocent X – a real, perceptive and effective portrait
Portrait of Pope Clement IX – a subtle image of a delicate pontifex
Bronzino’s Portrait of Stefano Colonna – a picture-perfect condottiero
Gian Lorenzo Bernini’s The Rape of Proserpina, meaning sanctioned rape
Pietro da Cortona’s Rape of the Sabine Women – all is well that ends well
Equestrian Statue of Marcus Aurelius – a symbol of imperial harmony and peace
Ludovica Albertoni – a masterpiece in the shadow of a moral scandal
Bernini’s Statue of St. Bibiana – meaning how to present a virgin in the moment of bliss
Caravaggio’s The Calling of St. Matthew – how a sinner becomes the chosen of God
Raphael’s Fire in the Borgo – a hymn on the subject of more than just antiquity
The Transfiguration – the most divine of all Raphael’s works
Michelangelo’s Vault of the Sistine Chapel – a masterpiece born out of doubt and suffering
Raphael’s Stanzas – meaning how the popes had wanted to live
Melozzo da Forlì’s Sixtus IV Appointing Platina as Prefect of the Vatican Library – pope as an earthly ruler and a patron of science
Raphael’s’ The School of Athens– a fancy riddle or an alternative history
Raphael’s Triumph of Galatea – beauty and the beast in a Renaissance version
Pietro da Cortona’s Triumph of Divine Providence – family apotheosis, meaning painting to the point of breathlessness
Guido Reni’s Crucifixion of St. Peter – meaning a reason for a duel
Dying Gaul – a funeral rhapsody in memory of the Gauls
The Deliverance of St. Peter– between reality and a vision
Bronzino’s Venus, Cupid, and Satyr – a sublime allegory or a courtly jest?
Caravaggio’s The Entombment of Christ – a perfect work
Raphael’s The Deposition – a painting of suffering, the fragility of life and an unforgettable loss
Antoniazzo Romano’s Annunciation – meaning, how the Virgin Mary can miss the most important moment of her life
Raphael’s Fire in the Borgo – a hymn on the subject of more than just antiquity
The fresco which is found in the third papal room, completed by Raphael and his students (Stanza dell’Incendio di Borgo) is known as Fire in the Borgo, and it is from this work that the apartment takes its name. With a large dose of certainty, we can say that the painting was completed with significant input from the master himself. And once again he had shown himself to be an outstanding painter, although the way of creating the scene was very different from that which the artist had shown until then. What event then, of great significance, happened at that time, that caused this work,...
See moreVaticano Obelisk – a granite witness to history
It saw more than its share of events – chariot races, persecutions of Christians, the construction of the Constantine Basilica, the erection of Michelangelo’s dome, the fervor of the construction of Bernini’s colonnade, as well as the feverish pace of construction works during the times of Mussolini. It can be said that it is as old as the Roman Catholic Church since it arrived in the city on the Tiber only a few short years after the death of Christ. But in reality, it is much older, thirty-three centuries to be exact.
See moreBronzino’s Portrait of Stefano Colonna – a picture-perfect condottiero
Here we have a true hero of his times. The proud representative of the influential Roman Colonna family, but most of all a valued condottiero, who during his whole lifetime fought on numerous fronts, under the banners of numerous rulers. His abilities were valued by the emperor, the king of France, the pope, the Venetian doge, the duke of Florence, meaning all those for whom war was an obvious part of everyday life.
See moreZgodnie z art. 13 ust. 1 i ust. 2 rozporządzenia Parlamentu Europejskiego i Rady (UE) 2016/679 z 27 kwietnia 2016 r. w sprawie ochrony osób fizycznych w związku z przetwarzaniem danych osobowych i w sprawie swobodnego przepływu takich danych oraz uchylenia dyrektywy 95/46/WE (RODO), informujemy
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