Must-see paintings and sculptures
Apollo Belvedere – the greatest work of art from among all the works of antiquity
Benrnini’s Apollo and Daphne – a rock animated by love
Raphael’s Woman with a Unicorn - an image of a virgin marked by virtue
Bernini’s David – a sculpture testifying to the power of faith and humility
Caravaggio’s David with the Head of Goliath – a victor filled with sorrow
Bernini’s The Ecstasy of St. Teresa – an anthem on the subject of bodily union with God
Gaul Killing Himself and his Wife – meaning, praise of an honorable suicidal death
Laocoön Group – the dramatic story of one arm and its lack
Pietro da Cortona’s The Story of Aeneas – meaning where the pope searched for his roots
Bronzino’s John the Baptist – between cold eroticism and refined devotion
Caravaggio’s St. John the Baptist – a work of art, sacrilege, or child pornography?
Caravaggio’s Judith and Holofernes – a refined mixture of violence and desire
Raphael’s Fornarina – a mysterious love interest or perhaps…
Antoniazzo Romano’s Legend of the True Cross – miraculousness told in a Renaissance way
Domenichino’s The Hunt of Diana – a painting about spying and its unfortunate results
Jacopo Sansovino’s Madonna del Parto – between a saint and a maid
Madonna delle mani – an indecent work, damaged and found anew
Caravaggio’s Madonna of Loreto - the sanctity of dirty, coarse feet
Andrea Sansovino’s Madonna and Child with St. Anne – a work praised by poets
Giovanni Lanfranco’s Apparition of the Virgin to St. Lawrence – a thematic painting yet not bereft of artistry
Bronzino’s Madonna with Child, St. John the Baptist and St. Anne – meaning a song of love sentenced to suffering
Caravaggio’s Madonna and Child with St. Anne – a work despite and against itself
Caravaggio’s The Martyrdom of St. Matthew – death among onlookers and terrified passersby
Caravaggio’s The Crucifixion of St. Peter – a painting on the banality of evil
Michelangelo’s Moses – the remains of a tragic work
Mosaics in the Church of Santa Pudenziana – how the Good Shepherd became a lawgiver
Melozzo da Forlì’s Musical angels – Christ among songs, music and dance
Caravaggio’s Conversion of St. Paul – meaning how Saul became Paul
Pasquino – snide, mean and still today irreplaceable
Antonio Canova’s Pauline Borghese as the Venus Victrix – remember me like this for ages
Michelangelo’s Pietà – an astonishing story of silent suffering
Guercino’s The Funeral of St. Petronilla – a difficult topic, masterfully solved
Velázquez’s Portrait of Pope Innocent X – a real, perceptive and effective portrait
Portrait of Pope Clement IX – a subtle image of a delicate pontifex
Bronzino’s Portrait of Stefano Colonna – a picture-perfect condottiero
Gian Lorenzo Bernini’s The Rape of Proserpina, meaning sanctioned rape
Pietro da Cortona’s Rape of the Sabine Women – all is well that ends well
Equestrian Statue of Marcus Aurelius – a symbol of imperial harmony and peace
Ludovica Albertoni – a masterpiece in the shadow of a moral scandal
Bernini’s Statue of St. Bibiana – meaning how to present a virgin in the moment of bliss
Caravaggio’s The Calling of St. Matthew – how a sinner becomes the chosen of God
Raphael’s Fire in the Borgo – a hymn on the subject of more than just antiquity
The Transfiguration – the most divine of all Raphael’s works
Michelangelo’s Vault of the Sistine Chapel – a masterpiece born out of doubt and suffering
Raphael’s Stanzas – meaning how the popes had wanted to live
Melozzo da Forlì’s Sixtus IV Appointing Platina as Prefect of the Vatican Library – pope as an earthly ruler and a patron of science
Raphael’s’ The School of Athens– a fancy riddle or an alternative history
Raphael’s Triumph of Galatea – beauty and the beast in a Renaissance version
Pietro da Cortona’s Triumph of Divine Providence – family apotheosis, meaning painting to the point of breathlessness
Guido Reni’s Crucifixion of St. Peter – meaning a reason for a duel
Dying Gaul – a funeral rhapsody in memory of the Gauls
The Deliverance of St. Peter– between reality and a vision
Bronzino’s Venus, Cupid, and Satyr – a sublime allegory or a courtly jest?
Daniele da Volterra’s The Descent from the Cross – a faded shadow of a great work, meaning the aftermath of vandalism
Caravaggio’s The Entombment of Christ – a perfect work
Raphael’s The Deposition – a painting of suffering, the fragility of life and an unforgettable loss
Antoniazzo Romano’s Annunciation – meaning, how the Virgin Mary can miss the most important moment of her life
Emperor Maxentius (278–312) – an oppressor or a victim of a black legend?
All of those who are interested in Rome, predominantly connect his name with the famous Battle of the Milvian Bridge, in which he lost his life. The fact that he was the rival of Constantine, would for centuries – cloud the perception of his persona. And while his rival, known as Constantine the Great, has become the most important emperor for the Roman Catholic Church, he himself was condemned to damnatio memoriae, acquiring the status of the embodiment of an evildoer. Let us take a look at the propaganda mechanism, which has since the dawn of time accompanied authority and to which Max...
See moreThe Hall of Constantine (Stanza di Constantino) – a hymn praising the papacy
Stanza di Constantino is the last of the four apartments in the Apostolic Palace, which was decorated by the ingenious Raphael. Its decoration commissioned by Poe Leo X was finished during the pontificate of his successor, Clement VII. As we can imagine it was to immortalize the great Emperor Constantine – the first Christian ruler, however upon closer inspection, we must ask ourselves, who is the person glorified on the magnificent frescoes found in the room?
See moreTetrarchy – a utopia of an emperor sick and tired of ruling
The forty-year-old emperor Diocletian, who would be remembered as the founder of the enormous baths in Rome, took the throne in the year 284. For the previous fifty years, the empire had been in a state of chaos, which was further testified to by the continuous changes of emperors as a result of military revolts. It is enough to point out that between the assassination of Alexander Severus (235) and the beginning of the reign of Diocletian, five different emperors ruled in Rome. The crisis was further strengthened by the constant invasions of Franks, Alemanni, and Goths from the north and Pers...
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