Artists

Sculptors

Alessandro Algardi (1598–1654) – unappreciated master of the Baroque art

Painters

Andrea Pozzo (1642–1709) – a master of painting illusion

Sculptors

Andrea Sansovino (approx. 1467–1529) – the one who was able to bring the dead back to life

Painters

Annibale Carracci (1560–1609) – a straightforward recluse in the world of Roman splendor

Painters

Antiveduto Grammatica (1571–1626) – an expert on heads with an extraordinary name

Painters

Antoniazzo Romano (1430? – 1512?) – an outstanding imitator of great masters

Sculptors

Antonio Canova (1757–1822) – praised by his contemporaries, disregarded by later generations

Sculptors

Antonio Raggi (1624–1686) – a second pair of hands for master Bernini

Architects

Armando Brasini (1879–1965) – creator of a bombastically draped architecture

Painters

Artemisia Gentileschi (1593–1653) – an unwomanly painter, humiliated and forgotten for centuries

Painters

Baciccio (1639–1709) – the creator of heaven and hell on Earth

Sculptors

Bartolomeo Ammannati (1511–1592) – the beginnings of an outstanding career of a great Italian Mannerist

Painters

Bronzino (1503–1572) – subtle, refined, and mysterious

Sculptors

Camillo Rusconi (1658–1728) – a little known genius of the turn of the centuries

Painters

Caravaggio (1571–1610) - a subtle interpreter of the Bible and a common criminal

Architects

Carlo Maderno (1556–1629) – a sought-after, hard-working and talented architect

Painters

Carlo Maratti (Maratta) (1625–1713) – an outstanding portraitist and a father of an equally outstanding daughter

Architects

Carlo Rainaldi (1611–1691) – an architect with a love for music

Painters

Carlo Saraceni (1579–1620) – an artist somewhere between verismo and idealism

Sculptors

Cosimo Fancelli (1618–1688), a great, but second-tier master of the Roman Baroque

Painters

Daniele da Volterra (1509–1566) – sentenced to many years of ridicule

Painters

Domenichino (1581–1641), the Roman rise and Neapolitan fall of little Dominic

Architects

Domenico Fontana (1543–1607) – an exceptional architect of an entrepreneurial pope

Sculptors

Domenico Guidi (1625–1701) – meaning Bernini in the French style

Architects

Donato Bramante (1444 –1514) – a famous wrecker, who changed the face of Rome

Sculptors

Ercole Ferrata (1610–1686) – an imitator of extraordinary talent

Architects

Francesco Borromini (1599–1667) – a distrustful melancholic and an extravagant architect

Sculptors

Francesco Cavallini (1640–1703) – a sculptor of garlands and swaying saints

Sculptors

Francesco Mochi (1580–1654) – ousted, forgotten, disconsolate

Architects

Giacomo della Porta (1533–1602), an author of Roman fountains and the most famous façade in the history of art

Sculptors

Giovanni (Gian) Lorenzo Bernini (1599–1680) – Impulsive, arrogant and ingenious favorite of the popes

Sculptors

Giovanni Battista Maini (1690–1752) – elegance of late Baroque

Painters

Giovanni Lanfranco (1582–1647) – painter of the Church triumphant

Sculptors

Giuliano Finelli (1602–1653) – a sculptor of lace, leaves and collars, but also more

Painters

Giuseppe Cesari (1568–1640) – in the past popular, today a forgotten favorite of the popes

Painters

Guercino (1591–1666) – short career of the Pope’s chosen one in Rome

Painters

Guido Reni (1575–1642) – a gambler with subtle manners

Sculptors

Jacopo Sansovino (1486–1570) – unappreciated in Rome, famous in Venice

Architects

Luigi Moretti (1907–1973) – a rationalist, Fascist and postmodern architect

Architects

Marcello Piacentini (1881–1960) – praised and criticized creator of Fascist Rome

Painters

Melozzo da Forlì (1438–1494) – the one who introduced the delicate touch of Renaissance to Rome

Sculptors

Michelangelo (1475–1564), a painter by force – divine, yet miserable

Architects

Onorio Longhi (1568–1619) – a vagabond architect

Painters

Orazio Gentileschi (1563–1639) – an intimate realist prone to rowdiness

Sculptors

Pietro Bracci (1700–1773) – a master of elegance and theatrical gestures

Painters

Pietro da Cortona (1596–1669) – a virtuoso of glories, triumphs and apotheoses of all kinds

Painters

Pinturicchio (1454–1513) – a creator of a simple, filled with grace storylines

Painters

Raphael (1483–1520) – the prematurely deceased genius of the Renaissance

Sculptors

Stefano Maderno (c. 1570–1636) – an artist famous for just one statue

Painters

Trophime Bigot (1597–1650) – a mysterious master of candlelight

Villa Aldobrandini – a place of respite over the city teeming with life

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Villa Aldobrandini – a place of respite over the city teeming with life

In the very heart of Rome, by or more appropriately over one of the busiest streets of the city, the via Nazionale, stretches an enchanted garden. Between the ponds and palms, there are sculptures and antique fountains. And when we take a seat upon one of the benches, a scent of blooming camellias, magnolias, and orange flowers will reach our nostrils, while our eyes will be filled with views of cypresses and stone pines. This, in the past suburban villa, we can admire today in a much-reduced form and only our imagination may tell us what the orchards, gardens, and parks that stretched here un...

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The Temple of Romulus on Forum Romanum – a great archeological mystery

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The Temple of Romulus on Forum Romanum – a great archeological mystery

On Forum Romanum at via Sacra, between the Basilica of Maxentius and the Church of San Lorenzo in Miranda, there stands one of those ancient buildings which has been preserved in almost its original form. The brick building in the shape of a cylinder still today arouses the interest of researchers who strive to figure out its use. Who was this Romulus to whom it was dedicated? Was he the miraculously taken to heaven founder of Rome, who battled the Sabines here? Or perhaps he was the son of Maxentius – a tragically deceased youth, whom his father wanted to deify? The legends intertwine w...

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The Fascist Youth Organization Building by Luigi Moretti – a new architecture for a new era

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The Fascist Youth Organization Building by Luigi Moretti – a new architecture for a new era

Architecture has always been an expression of the prestige and power of those who commissioned it. Frequently it was also a means of propaganda. During Fascist times it was to fulfill a utilitarian function, but also to create the new esthetics of the new state targeted at a new man. Slogans such as modernity and progress were willingly used. Architecture was to be their emanation – a vision of universal and absolute order and rigor. Let us take a look at the language it used.

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