Artists

Sculptors

Alessandro Algardi (1598–1654) – unappreciated master of the Baroque art

Painters

Andrea Pozzo (1642–1709) – a master of painting illusion

Sculptors

Andrea Sansovino (approx. 1467–1529) – the one who was able to bring the dead back to life

Painters

Annibale Carracci (1560–1609) – a straightforward recluse in the world of Roman splendor

Painters

Antiveduto Grammatica (1571–1626) – an expert on heads with an extraordinary name

Painters

Antoniazzo Romano (1430? – 1512?) – an outstanding imitator of great masters

Sculptors

Antonio Canova (1757–1822) – praised by his contemporaries, disregarded by later generations

Sculptors

Antonio Raggi (1624–1686) – a second pair of hands for master Bernini

Architects

Armando Brasini (1879–1965) – creator of a bombastically draped architecture

Painters

Artemisia Gentileschi (1593–1653) – an unwomanly painter, humiliated and forgotten for centuries

Painters

Baciccio (1639–1709) – the creator of heaven and hell on Earth

Painters

Bronzino (1503–1572) – subtle, refined, and mysterious

Sculptors

Camillo Rusconi (1658–1728) – a little known genius of the turn of the centuries

Painters

Caravaggio (1571–1610) - a subtle interpreter of the Bible and a common criminal

Architects

Carlo Maderno (1556–1629) – a sought-after, hard-working and talented architect

Painters

Carlo Maratti (Maratta) (1625–1713) – an outstanding portraitist and a father of an equally outstanding daughter

Architects

Carlo Rainaldi (1611–1691) – an architect with a love for music

Painters

Carlo Saraceni (1579–1620) – an artist somewhere between verismo and idealism

Sculptors

Cosimo Fancelli (1618–1688), a great, but second-tier master of the Roman Baroque

Painters

Domenichino (1581–1641), the Roman rise and Neapolitan fall of little Dominic

Architects

Domenico Fontana (1543–1607) – an exceptional architect of an entrepreneurial pope

Sculptors

Domenico Guidi (1625–1701) – meaning Bernini in the French style

Architects

Donato Bramante (1444 –1514) – a famous wrecker, who changed the face of Rome

Sculptors

Ercole Ferrata (1610–1686) – an imitator of extraordinary talent

Architects

Francesco Borromini (1599–1667) – a distrustful melancholic and an extravagant architect

Sculptors

Francesco Cavallini (1640–1703) – a sculptor of garlands and swaying saints

Sculptors

Francesco Mochi (1580–1654) – ousted, forgotten, disconsolate

Architects

Giacomo della Porta (1533–1602), an author of Roman fountains and the most famous façade in the history of art

Sculptors

Giovanni (Gian) Lorenzo Bernini (1599–1680) – Impulsive, arrogant and ingenious favorite of the popes

Sculptors

Giovanni Battista Maini (1690–1752) – elegance of late Baroque

Painters

Giovanni Lanfranco (1582–1647) – painter of the Church triumphant

Sculptors

Giuliano Finelli (1602–1653) – a sculptor of lace, leaves and collars, but also more

Painters

Giuseppe Cesari (1568–1640) – in the past popular, today a forgotten favorite of the popes

Painters

Guercino (1591–1666) – short career of the Pope’s chosen one in Rome

Painters

Guido Reni (1575–1642) – a gambler with subtle manners

Sculptors

Jacopo Sansovino (1486–1570) – unappreciated in Rome, famous in Venice

Architects

Luigi Moretti (1907–1973) – a rationalist, Fascist and postmodern architect

Architects

Marcello Piacentini (1881–1960) – praised and criticized creator of Fascist Rome

Painters

Melozzo da Forlì (1438–1494) – the one who introduced the delicate touch of Renaissance to Rome

Sculptors

Michelangelo (1475–1564), a painter by force – divine, yet miserable

Architects

Onorio Longhi (1568–1619) – a vagabond architect

Painters

Orazio Gentileschi (1563–1639) – an intimate realist prone to rowdiness

Sculptors

Pietro Bracci (1700–1773) – a master of elegance and theatrical gestures

Painters

Pietro da Cortona (1596–1669) – a virtuoso of glories, triumphs and apotheoses of all kinds

Painters

Pinturicchio (1454–1513) – a creator of a simple, filled with grace storylines

Painters

Raphael (1483–1520) – the prematurely deceased genius of the Renaissance

Sculptors

Stefano Maderno (c. 1570–1636) – an artist famous for just one statue

Painters

Trophime Bigot (1597–1650) – a mysterious master of candlelight

Bronzino’s John the Baptist – between cold eroticism and refined devotion

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Bronzino’s John the Baptist – between cold eroticism and refined devotion

The muscular, beautiful, manly body with a delicately glowing skin seems to be taken out of a refined act of, as we would have said today, homoerotic nature, however, the title of the painting and the requisites visible on it, point to something completely different. This is a saint, and not just any saint – the patron of Florence, John the Baptist. But is it possible that this is simply a religious painting?

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Bernini’s Colonnade – to strengthen faith, Enlightenment and to convince the infidels

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Bernini’s Colonnade – to strengthen faith, Enlightenment and to convince the infidels

Its grandeur is best appreciated, looking on from the perspective of the dome of St. Peter's Basilica. In front of our very eyes stretches one of the last monumental works of the Baroque – a symbol of the significance of the Holy See and its representative on Earth - Pope Alexander VII. It was he, who ordered his trusted architect Gian Lorenzo Bernini to begin work on shaping the square in such a way so that it would astound and arouse respect. Both the pontifex and his architect succeeded in this task.

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Bronzino (1503–1572) – subtle, refined, and mysterious

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Bronzino (1503–1572) – subtle, refined, and mysterious

A painter, and at the same time a poet, he resided in Rome only a short time and in reality, we do not know what he did there. And despite the fact, that this chief representative of Mannerism and the court painter of the de ’Medici family did not leave the fruits of his labor in the city, the Roman museums keep several significant (obtained at a later date) works of his – surprising, seducing in their beauty and mysterious aura.

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