Madonna with the four saints (Hieronymus with the lion), Niccolò di Liberatore, Galleria d'Arte Antica, Palazzo Barberini
Saint Jerome on the throne, Giovanni Santi, Musei Vaticani
St. Jerome with baby Christ and St. John the Baptist in the background, Perugin's circle, Galleria Nazionale d'Arte Antica, Palazzo Barberini
Crucifixion with St. Jerome and St. Christopher, Galleria Borghese
Saint Jerome in Penitence, Museo nazionale di Castel Sant'Angelo
Saint Jerome adoring the crucifix, Lorenzo Lotto, Musei Vaticani
St. Jerome in the desert, Perugino, Galleria Colonna
Saint Jerome in Penitence, Tintoretto, Galleria Nazionale d'Arte Antica, Palazzo Barberini
Saint Jerome in Penitence, Leonardo da Vinci, Musei Vaticani
Saint Jerome, Girolamo Muziano, Musei Vaticani
Saint Jerome, Trophime Bigot, Galleria Nazionale d'Arte Antica, Palazzo Barberini
Saint Jerome reading, Caravaggio, Galleria Borghese
Saint Jerome, Leonello Spada, Galleria Nazionale d'Arte Antica
Saint Jerome, Guercino, Galleria Nazionale d'Arte Antica, Palazzo Barberini
Saint Jerome, Guido Reni, Musei Capitolini
Saint Jerome in Penitence, Federico Barocci, Galleria Borghese, pic. Wikipedia
Saint Jerome with the Trumpet of the Last Judgment, Jusepe de Ribera, Galleria Doria Pamphilj
Saint Jerome at work, Hendrick de Somer, Galleria Nazionale d'Arte Antica, Palazzo Barberini, pic. Wikipedia
Saint Jerome, Jusepe de Ribera, Galleria Spada
Last Communion of St. Jerome, Domenichino, Musei Vaticani, pic. Musei-Vaticani
One of the altar with the image of St. Jerome in the Church of San Girolamo dei Croati
Pietro Gagliardi, paintings showing the life of St. Jerome in the church San Girolamo dei Croati
Façade of the Church of San Girolamo dei Croati
Façade of the Church of San Girolamo della Carità
The interior of the Church of San Girolamo della Carità
Main altar in the Church of San Girolamo della Carità, copy of a painting by Domenichino
Saint Jerome, Venetian school, Galleria Nazionale d'Arte Antica, Palazzo Corsini
Saint Jerome, Jose de Ribera, Galleria Nazionale d'Arte Antica, Palazzo Corsini
We are familiar with this interpreter of the Bible mainly from images showing his old, rachitic body. However, behind the official façade of a hermit and erudite hides a man prone to conflicts and uncompromising, whose figure is willingly (today) recalled by those who, on one hand, want to show his misogyny, and on the other those who would like to prove that his attitude is the best evidence of valuing women in the late-antiquity Church. And where was the actual truth?