Must-see paintings and sculptures
Simon Vouet’s Buona Ventura – the lamentable effects of palm reading
Caravaggio’s Young Sick Bacchus – an artist in the guise or perhaps something much more?
Raphael’s Woman with a Unicorn - an image of a virgin marked by virtue
Dawid z głową Goliata – przejmujące wołanie o pomoc boskich i ziemskich sił
Simon Vouet’s Herodias with the Head of St. John the Baptist – femme fatale of the Baroque
Bronzino’s John the Baptist – between cold eroticism and refined devotion
Caravaggio’s St. John the Baptist – a work of art, sacrilege, or child pornography?
Van Honthorst’s The Concert – singing together or perhaps a peregrination of the prodigal son?
The Temptation of St. Francis – a lesson in the taming of the senses
Raphael’s Fornarina – a mysterious love interest or perhaps…
Domenichino’s The Hunt of Diana – a painting about spying and its unfortunate results
Caravaggio’s Madonna of Loreto - the sanctity of dirty, coarse feet
Carlo Saraceni’s Madonna and Child with St. Anne – an everyday life scene and… a dove
Giovanni Lanfranco’s Apparition of the Virgin to St. Lawrence – a thematic painting yet not bereft of artistry
Bronzino’s Madonna with Child, St. John the Baptist and St. Anne – meaning a song of love sentenced to suffering
Caravaggio’s Madonna and Child with St. Anne – a work despite and against itself
Magdalene Fainting – a bold act (between mystical rapture and sexual ecstasy
Caravaggio’s The Martyrdom of St. Matthew – death among onlookers and terrified passersby
Caravaggio’s The Crucifixion of St. Peter – a painting on the banality of evil
Giovanni Baglioni’s Heavenly Love and Earthly Love – a virtue in the struggle against sin
Caravaggio’s Narcissus at the Source – a tragedy of unfulfilled love, or perhaps a story about the essence of art
Caravaggio’s Conversion of St. Paul – meaning how Saul became Paul
The Incredulity of St. Thomas– and how strong is your faith?
Domenichino’s The Last Communion of St. Jerome – a work about the superiority of communion under one kind
Guercino’s The Funeral of St. Petronilla – a difficult topic, masterfully solved
Pokutująca Maria Magdalena Charlesa Mellina – między atrakcyjnym mitem a nagą prawdą
Guido Reni’s The Penitent Magdalene – between sinful charm and heavenly vision
Portrait of Cardinal Bernardino Spada – a diligent, hard-working, and prudent official
Velázquez’s Portrait of Pope Innocent X – a real, perceptive and effective portrait
Portrait of Pope Clement IX – a subtle image of a delicate pontifex
Bronzino’s Portrait of Stefano Colonna – a picture-perfect condottiero
Pietro da Cortona’s Rape of the Sabine Women – all is well that ends well
Caravaggio’s The Calling of St. Matthew – how a sinner becomes the chosen of God
Carlo Saraceni’s Transitus Mariae – meaning how the Discalced Carmelites co-created the image of the Most Holy Virgin
The Transfiguration – the most divine of all Raphael’s works
Van Honthorst’s The Beheading of St. John the Baptist – a work immersed in darkness
Artemisia Gentileschi’s Saint Cecilia Playing the Lute – an autoportrait in the guise of a saint
Carlo Saraceni’s St. Cecilia with an Angel - two musicians
The Holy Family with St. Elizabeth, the Young St. John the Baptist, and an Angel – a family meeting with an angel in the background
Caravaggio’s Saint Jerome – the Doctor of the Church as a weapon in the struggle against heretics
Święty Jan Chrzciciel Caravaggia – znużony efeb czy melancholijny święty?
Ukrzyżowanie świętego Piotra – męczeństwo jako akt wypełnienia się woli Bożej
Giovanni Lanfranco’s Venus Playing the Harp – a tribute to music or perhaps to love?
Bronzino’s Venus, Cupid, and Satyr – a sublime allegory or a courtly jest?
Caravaggio’s Fortune Teller – a painting about the dangers of life and the illusion of art
Caravaggio’s The Entombment of Christ – a perfect work
Dirck van Baburen’s The Entombment of Christ – catching up with Caravaggio
Raphael’s The Deposition – a painting of suffering, the fragility of life and an unforgettable loss
Antoniazzo Romano’s Annunciation – meaning, how the Virgin Mary can miss the most important moment of her life
Zgodnie z art. 13 ust. 1 i ust. 2 rozporządzenia Parlamentu Europejskiego i Rady (UE) 2016/679 z 27 kwietnia 2016 r. w sprawie ochrony osób fizycznych w związku z przetwarzaniem danych osobowych i w sprawie swobodnego przepływu takich danych oraz uchylenia dyrektywy 95/46/WE (RODO), informujemy, że Administratorem Pani/Pana danych osobowych jest firma: Econ-sk GmbH, Billbrookdeich 103, 22113 Hamburg, Niemcy
Przetwarzanie Pani/Pana danych osobowych będzie się odbywać na podstawie art. 6 RODO i w celu marketingowym Administrator powołuje się na prawnie uzasadniony interes, którym jest zbieranie danych statystycznych i analizowanie ruchu na stronie internetowej. Podanie danych osobowych na stronie internetowej http://roma-nonpertutti.com/ jest dobrowolne.
