Commemorative monuments

Commemorative monuments

The Column of Marcus Aurelius – a souvenir of a wise, sensible and brave emperor

Commemorative monuments

Column of the Immaculate Conception – an antidote for heresies and mistakes of contemporary times

Commemorative monuments

Arch of Janus – mysterious structure with four façades

Commemorative monuments

The Arch of the Silversmiths – a place of memory erased

Commemorative monuments

Arch of Constantine – an ancient example of artistic recycling

Commemorative monuments

Triumphant Arch of Emperor Titus – a commemoration of triumph and defeat engraved in stone

Commemorative monuments

Arch of Septimius Severus – a symbol of Roman expansion and dynastic ambitions

Commemorative monuments

Mausoleum of Empress Helena – meaning how to reconcile Christianity with the cult of the emperor

Commemorative monuments

Mausoleum on Janiculum Hill (Mausoleo Ossario Garibaldino) – the struggle for national heritage

Commemorative monuments

Antinous Obelisk (Pinciano) – pilgrimages of an obelisk of „sinful” provenance

Commemorative monuments

Flaminio Obelisk – a war trophy; the pride of the city, emperor and the pope

Commemorative monuments

Obelisk Macuteo – divine support for the emperor, the pope and the Roman populace

Commemorative monuments

Minerveo Obelisk, meaning the triumph of an elephant over Dominican dogs

Commemorative monuments

Mussolini Obelisk – a monument of national amnesia

Commemorative monuments

Vaticano Obelisk – a granite witness to history

Commemorative monuments

Statue of Giordano Bruno, meaning the ”black ship of Satan” among flowers, grapes and lettuce

Commemorative monuments

Statue of Giuseppe Mazzini – the delayed work of belle époque

Commemorative monuments

Funerary monument of Maria Clementina Sobieska – the joyful smile of a miserable queen

Commemorative monuments

Funerary monument of Pope Alexander VII, meaning the triumph of virtue over death

Commemorative monuments

Funerary Monument of Pope Benedict XIV – the last breath of a grand style

Commemorative monuments

Funerary monument of Pope Gregory XIII – the memories of the guardian of true faith

Commemorative monuments

Funerary Monument of Pope Gregory XV – a breath of subtle Jesuit propaganda

Commemorative monuments

Antonio Canova’s funerary monument of Pope Clement XIII – death appeased with beauty

Commemorative monuments

Antonio Canova’s funerary monument of Pope Clement XIV – a quiet grief of final parting

Commemorative monuments

Funerary Monument of Pope Leo XI – a modest and politically convincing work

Commemorative monuments

Funerary Monument of the Stuarts – death beautiful until perdition

The Temptation of St. Francis – a lesson in the taming of the senses

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The Temptation of St. Francis – a lesson in the taming of the senses

It is not often that we can discover such artistically excellent, moving, and at the same time sensual and sexual works within church interiors. The protagonist of the aforementioned painting is Francis of Assisi – a saint who often appears in Catholic iconography during the post-Trent period – a humble monk, venerated for his noble life, spent in poverty. However, here we see him in an exceptional scene, in which he unveils his human needs, and at the same time struggles against them. This is a warning and a message all in one – how to control one's senses in the face of tem...

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Cardinal Bernardino Spada (1594–1661) – a dream about the grandeur of his own family

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Cardinal Bernardino Spada (1594–1661) – a dream about the grandeur of his own family

Cardinal Spada was a sensible and trustworthy man – diligent and intelligent, he climbed the ladder of a Church career slowly and reasonably. He had great ambitions, although ultimately he was unable to sit upon the papal throne. But he never stopped thinking about it and all his actions, focused on bringing his insignificant in the Eternal City family into the ranks of the black aristocracy, served this purpose. Who was then, this diligent and private official with extraordinary ambitions?

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Chapel del Monte di Pietà – a bombastic symbol of the struggle against usury

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Chapel del Monte di Pietà – a bombastic symbol of the struggle against usury

There is a place in Rome that can be visited only once a year. It is found in an inaccessible palace that currently belongs to a bank, but in the past was connected to an organization that had very little to do with a bank. This place is almost overbearing with its decorativeness, but at the same time, it captivates us with its exquisite selection of materials and the virtuosity of the works of art adorning it. The only surprising fact is that the chapel in question was created for a small number of members of a charitable organization that struggled against usury and brought help to the needy...

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